Most people don't mind killing cows and chickens,
but they'd probably have a hard time doing the same to chimpanzees...
Partially, it's because chimpanzees bear a slight resemblance to humans,
but the primary reason is that they can draw pictures.
Suppose fish were able to draw pictures.
Even if we are unable to understand what they're thinking,
it becomes harder to kill animals that can draw.
Instinctively, in our minds we would say to ourselves.
"Maybe they have feelings."
That shows how high a value we assign to expression.
Since the beginning of the modern age,
society has given up on pursuing absolute values.
It's come to place the relative, comparative worldview as its center.
However, it's not because we no longer need any absolutes in our lives...
Rather, it's simply because we came to see them
as sour grapes and started eliminating them.
We thought...
"It's hard to adhere to these values, so let's just pretend that such ideas never existed from the start."
Then, the Sibyl System came to exist.
The system started intervening even in culture and art.
Sibyl authorized artists, Sibyl recommended works...
Because its decision criteria was as closed off as a black box,
agony and confrontation, which are necessary for growth, decreased.
Any approach that holds contempt for free expression
will eventually result in society...
...dying of stagnation.
Ouryou Rouichi
Mr. Ouryou, your daughter is here to see you again.
Isn't that nice?
I'm sorry, but your father knows you're here and is happy to see you too.
Please don't get discouraged.
Yes, of course.
That's a lie. Everyone here is the same.
They don't notice anything. They don't say anything.
They don't think anything.
They are mere shells of their former selves,
soon to disappear like the melting snow.
This epidemic leads innocent people to their deaths,
and yet, its pathogen will never be eradicated.
This is the disease called serenity,
a form of death that people have wished for.
Dare ni mo miserarenai mono
My head is full of things
Atama no naka afurete
That I can never tell anybody of
Machigai sae mo nai sekai he
In this perfect world
Machigai sae mo nai sekai he
In this perfect world
Mayoikonderu
I roam, a lost being
Arienai hodo surikomareteru
This world is impossibly hard on me
Arienai hodo surikomareteru
This world is impossibly hard on me
Arienai hodo surikomareteru
This world is impossibly hard on me
Arienai hodo surikomareteru
This world is impossibly hard on me
Arienai hodo surikomareteru
This world is impossibly hard on me
Me ni mieru mono dake no "sekai" genshou
It's an illusion that plays out before my eyes
Me ni mieru mono dake no "sekai" genshou
It's an illusion that plays out before my eyes
Me ni mieru mono dake no "sekai" genshou
It's an illusion that plays out before my eyes
Abakidaseru kana
Can I find its faults?
Plastic tac tic
Mou dare mo okashiku narenai yo
Nobody is allowed to be insane
Kisama mo plastic beautiful world
You're made of plastic too, like this beautiful world
Utsukushi sugiru sekai ni
In this beautiful world
Boku wa nazeka
There is something
Hikari ga mienakute
That obscures all light for me
Haretsu shite yuku kokoro ga
My heart tries to break out
Mugen no rifurekushon
And finds no answer
Secret kills for you
Secret remains for you
Misekake no iro to
Don't show me a dark future
Mirai wo abakanai de
Nor a world of pretense
Keep it secret motion
This is...
Don't tell me...
They first dismembered and cut open the body,
and then they used plastination to turn it into a human specimen.
Then they brought it right into the middle of town and displayed it...
I'm taking you off this case, Kougami.
What?
Why, Gino?
I can't allow a detective who can't put aside his preconceived notions
to be a part of the initial investigation.
Even so...
We still don't know if this is connected to the Specimen Case.
Ah!
So I'm on standby at my quarters, right?
That's right.
Inspector Tsunemori.
Y-Yes!
It seems that you're aware of the circumstances.
Watch Kougami at all times, and make sure he doesn't do anything stupid.
That'll be your job during this case.
I'll summarize the case.
The dismembered body found in a park in Daikanyama, Shibuya ward,
belonged to Kuzuhara Satsuki,
who was a student at Ousou Academy, a private college for girls.
She went missing a week ago.
Hey, Ousou Academy is...
...where Touma Kouzaburou, the suspect in the Specimen Case, worked.
Right?
The body was eroded by a special kind of chemical,
and the protein was converted into plastic form.
Analysis confirmed that the chemical used was the same one used in the case three years ago.
It's more than likely that these cases share the same culprit.
So after three years, the mysterious killer returns, huh?
Gino! Was it really okay to take Kou off the case?
He's been investigating the Specimen Case all this time, right?
He might've been able to find us some new leads.
I've read his report.
It's completely delusional.
You're going too far!
Kougami.
Whoa!
You've got the sparring program on the highest difficulty level!
Are you really human, Kougami?
Yeah.
I mean, all it takes is one Paralyzer and I'm out like a light.
I'm just your average, weak human.
I bet the Property Management Division's gonna give you hell for this.
Not my fault their system's a piece of crap.
Is there something on my face?
No, there isn't!
You already get provided with a powerful weapon like the Dominator,
so do you really have to engage in this much combat training?
Yeah, I do.
Our weapons are powerful, but it's for that very reason
that their users have to be even stronger.
In the end, the Dominator doesn't kill people. I do.
In order to keep that in mind,
I have to feel the pain here.
Are you trying to teach me something?
Well, I don't wanna be in a situation where you have to fire the Dominator.
So, what do you want?
To start with, please wipe yourself down and put a shirt on!
It's about the unsolved case.
Public Safety Bureau Special Case 102.
I looked into it. Sorry to pry into your past.
What are you apologizing for?
You're not angry with me?
Why would I be angry?
Because it's an old homicide case that claimed the life of one of my subordinates?
Because it's been three years and we're no closer to solving it than when we began?
No reason to be.
And if I got angry at anyone, it'd be myself.
In that homicide case, I didn't even come close to finding the mastermind
who'd been pulling the strings behind Touma Kouzaburou.
Do you think the same guy's behind this case?
I don't know yet.
It's still possible that this is just an elaborate copycat crime.
But it's definitely worth looking into.
You've been taken off the case, though.
That's okay.
I don't wanna cause Gino too much trouble.
What?
I'm saying there's a way to handle these things.
We can find a good pretext to create a situation where they'd need us back.
Is that really possible?
It is. Just wait and see.
What kind of person was Enforcer Sasayama?
He was a real piece of work.
Huh?
He was a womanizer.
I lost count of how many times he tried to grab Karanomori and Kunizuka's butts.
He got slugged every time, but he never seemed to learn his lesson.
He had a short fuse too.
Once he got upset, there was nothing anyone could do.
One day, he went to the house of a guy who got flagged by a Hue Check.
When he stepped inside, this guy was on top of a woman he had kidnapped.
Sasayama almost killed the guy.
Since I was an Inspector at the time, I stopped him,
but deep down, I thought that he was a funny guy.
Yeah. That violent, womanizing bastard was a real funny guy.
At the very least, I never expected he'd die that way.
Did you see the picture of his body?
Yes.
We found it underneath a Holographic display.
Yes...
Do you know what kind of display it was?
No, I don't.
It was an ad by a pharmaceutical company.
“Our safe stress care will transport you to a world without suffering."
Analysis showed that before Sasayama was turned into a specimen,
he was dismembered while he was still alive.
It was like the culprit was sending a message.
“Life is nothing but suffering."
I wanted the bastard who did that to Sasayama to meet the same end.
Once I started feeling that way,
my career as an Inspector was over.
Do you have any regrets?
I don't regret my own actions.
But the thing is... the case is still unsolved.
That's the only problem.
We need to find the accomplice who helped Touma Kouzaburou three years ago.
Are there any leads that we can still use?
Yeah.
There's a picture that Sasayama took,
though it's pretty blurry.
It was saved on the terminal that Sasayama used.
This man? Did you find out what his name was?
The picture's filename was...
“Makishima."
They found Kuzuhara Satsuki dead.
I heard.
Yoshika has been absent from school since yesterday.
I heard.
Hey, listen to me!
I am listening.
It's not just Ookubo.
I heard that Yamaguchi Masami in Class B has been absent, too.
Sounds like there's trouble brewing at the Academy.
So?
“So"?
If there's trouble, the first thing you should do is stay out of it.
Don't gossip either.
What are you saying?
I feel that careless actions could put us in serious danger.
We've been friends with Yoshika since we were kids, you know.
Ouryou Rikako.
Who?
Ookubo was really crazy about her, right?
And she seemed to be interested in Ookubo as well.
If you ask her, she might know something.
Yeah...
There's this quote from Kierkegaard that my father liked.
“Because man is superior to animals,
in other words, because man is the self, and spirit,
man can be in despair."
Unless you know despair, you cannot know hope.
My father used dismembered bodies as the subject of many of his drawings.
That's because they symbolize the contradictory nature of the self.
I had great respect for my father.
He was aware of his obligation as an artist
and continued to focus intently on using his creations to enlighten people.
I think even now that he was a great artist indeed.
That's why I simply can't forgive him for abandoning that duty halfway through.
Yesterday, my father passed away.
He's been as good as dead for a while,
but finally even his heart gave in.
But I'm okay.
I'm not sad.
I, his daughter, will carry out my father's duty together with you all.
Don't you think that's wonderful?
It's exciting, isn't it,
Yoshika?
Eustress deficiency cerebral infarction.
Well, that's not the official name for the illness.
It is said to be the real cause of most deaths that are declared as
“heart failure from unknown cause."
I've heard of it. They say that it's a side effect of excessive stress care.
For some time, it's been understood that moderate stress has beneficial effects.
For example, it stimulates the immune system.
As they say, it serves as motivation in your life.
You could even call it a reason for living.
However, once Psycho-Pass checks became routine,
people have found their sense of stress numbed so heavily that
we started to see patients who couldn't even recognize stimulation itself.
Once that happens, they're like living corpses.
Soon, their autonomic nervous system stops functioning on its own,
and their vital functions shut down.
That's very sad.
So humans now care for themselves to the point that
they've actually regressed as living beings, huh?
The fact of the matter is,
as much as our medical system has advanced,
statistically, the average lifespan is actually decreasing.
Well, this data will probably never be made public, though.
That's not surprising.
In this era, everything that could be considered a reason to live has died out.
No one tries to talk seriously about what life should be like anymore.
The father of Ouryou Rikako, the girl I mentioned earlier,
had eustress deficiency as well.
Ouryou Rouichi...
At some point, he was a predominant illustrator.
Haven't you heard of him?
Unfortunately, I don't have much knowledge of the art world.
He possessed a prodigious talent for drawing cruel, vivid nightmares using girls' bodies as motifs.
However, he himself was a man of quite strict morality.
Well, it's not uncommon for there to be a disconnect between the creator
and the impression their creations give.
But in Rouichi's case, there was a firm ideology there.
According to him,
by becoming firmly aware of the cruelty
that hides in the dark depths of the human heart,
humans can foster the common sense, ability to reason,
and goodwill to control that cruelty.
He viewed his creative efforts as a means to enlighten the populace.
From what you say, he sounds like quite the saint.
However, the spread of Psycho-Pass assessments
ended this role that he had decided for himself.
People don't have to control themselves anymore.
Instead, they can now maintain their mental health through machine assessments.
I heard...
that Rouichi welcomed this technology.
Whatever the means,
his ideal of humanity having healthy and sound minds had been realized.
As a result, though, his mission ended and his life lost its meaning.
I'm surprised.
I thought all artists were the same, concerned only with fame and wealth.
Well, he too probably had inner conflicts.
But in order to solve them,
he used all kinds of state-of-the-art stress care methods.
His daughter, Rikako, tells me that he was so dependent on them
that you could call it an addiction.
As a result,
he became a living corpse who couldn't even sit up from his bed, huh?
She loved her father so much that I'm sure
she couldn't forgive that which took him away.
It's as if Ouryou Rouichi were killed twice.
First, his talent was killed by science and technology.
And then, his soul was killed by society.
In short, you mean this girl is committing crimes to get revenge for her father?
Well, I don't know.
I hope she finds some meaning beyond revenge, though.
Choe Gu-Sung?
That was quick.
I do wonder how Mr. Makishima knew that there was a place like this inside the Academy.
It seems this used to be a generator room that powered a recycling boiler,
but when the Academy was renovated, it disappeared from the blueprints.
How slipshod, huh?
So where are the chemicals?
Over there.
Deliveries aren't usually my thing,
but the payment this time is quite generous.
Not to mention I get to help out a cute young lady like yourself.
So, I hardly have reason to complain.
Where does Mr. Makishima get weird stuff like this?
He did mention that they were leftover stockpiles from past festivities.
I don't know who made it.
I don't even want to.
The person must've thought that entertaining Makishima would be a lot more worthwhile
than getting a patent for this weird chemical or selling it.
He does seem to attract geniuses that have gone astray.
And you're one of them, right, Choe Gu-Sung?
I don't know what it is,
but when I'm with him, I feel like I'm reliving my childhood or something.
I start to wonder what mischief we should get up to in order to shake up society,
and my thoughts become consumed with those ideas.
I know the feeling.
You guys prepare toys,
and we, mischievous children that we are, use those toys to create a stir.
It really is fun, isn't it?
Well, we toy manufacturers
have enough fun just watching what you brats do next.
Yeah. I'd say they're probably discovering my second prank right about now.
Keep an eye on the news.
Will do.
You always leave before the really fun stuff begins.
It's a shame you miss it.
Unfortunately, I don't do too well around blood and stuff, so I'll pass.
A second one...
If this is really Touma Kouzaburou's doing, that makes it the sixth.
So, what was it that you wanted to ask me, Kawarazaki Kagami?
It's Yoshika...
It's about Ookubo.
She's been absent from school for the last three days in a row, so... um...
So you're worried. You care about your friends.
We've been friends since we were kids.
What's this?
Friendship between girls is wonderful, isn't it?
I think it might end up being a very exciting motif.
Um...
It might also be a good addition to my Yoshika exhibition, don't you think?
A touching reunion with your childhood friend.
It's an emotionally stirring scene, isn't it?
It really makes me cry.
I want to reenact this moving scene in a place where more and more people can see it.
Perhaps it really is the fate of artists to be struck by such inspiration.
Just like Kuzuhara Satsuki, Yamaguchi Masami was also a student
at this educational institution, Ousou Academy.
With special approval from MEXT, this academy only runs
annual checkups and academic assessments
and is exempted from having to do Hue Checks and Crime Coefficient Checks.
Even when there is an incident,
it's hard for the Public Safety Bureau to conduct an investigation on them.
Even so, this academy is where these two victims attended, and where
Touma Kouzaburou, the prime suspect in the Specimen Case, worked.
No matter what the higher-ups might say later,
we have no choice but to enter the school and investigate.
I know. You don't have to tell me.
Ah, I suppose you're right.
I've checked the video footage from the security cameras to see
if anyone left the school during the time the crime could have been committed.
What'd you find?
I didn't see anything suspicious.
They should have enough security cameras installed to catch it, though.
Are you sure we don't...
I'll say this one more time. I'm not bringing Kougami in on this investigation.
I haven't even said anything yet!
It's written all over your face.
You're very perceptive, Gino.
We'll take turns questioning. Kagari, you go first.
Ohh-kay.
Don't forget to use Komissa's Holo avatar when you talk to students.
Make sure not to negatively influence the Hues of these minors, even a little.
The security...
has gotten really tight, hasn't it?
Two students fell victim in short succession to crimes that had the same MO.
If the academy doesn't take action, they'll have to answer to the parents.
In addition, the suspect is Touma Kouzaburou, a former teacher at this school.
That narrows the Public Safety Bureau's investigation
down to this school, Ousou Academy.
I guess I'm bound hand and foot for a while.
Why did you only choose students within this school for your works of art?
This academy is a girls' boarding school.
What do you think of their education policy, Mr. Makishima?
It's out of date,
but that also makes it rare and therefore valuable... I guess.
In this day and age, if parents want their daughters to receive an education in an old-style environment,
this is the only choice they have.
Chastity and grace...
Traditional virtues that have been lost.
They comprise the educational ideology of Ousou Academy.
They're priorities that are not valued in boys, but only in girls.
After having them instilled in us,
we're shipped out as a brand-name product— “refined, sheltered maidens"—
and purchased by men who seek a classic piece of furniture called “a good wife and mother"...
for a formality known as marriage.
Students in this school are all components
that will be processed into a piece of artwork called the “lady."
They are rough stones waiting to be polished and set.
They live sad and boring lives
even though there are many other possible ways they could bloom.
That's an interesting perspective.
So that's the foundation for your art, is it?
Once your new piece is ready,
where do you plan to exhibit it this time?
Let's see...
I wonder where would be good.
I have to find a lively place that attracts the attention of many.
No leads at all, huh?
And there's more bad news to come.
I heard there were two second-year students who disappeared from the dorms.
The school contacted their parents, but they're not at home either.
They've gone completely missing.
This is strange, any way you look at it.
The campus and dorms are all under the kind of lockdown you'd expect in a military facility.
Is it even possible for him to get his victims out of the place?
To start with,
why is he only targeting Ousou Academy students now?
To Touma, this school is his old nest, so to speak.
Maybe he knows a secret path that can bypass security.
That could be it.
This academy is what, a hundred years old?
The buildings on the premises have gone through numerous renovations,
so their blueprints look terrible, too.
Could it be possible that the murder site and the killer's hideout both lie on Academy grounds?
I knew it! You're reading about the case.
This is Karanomori's doing, isn't it?
What do you think? You've taken a look at the reports too, right?
What do I think? Well...
Based on the chemical analysis,
it seems to me that it's even more likely that this is the same culprit from three years ago.
I think it's exactly the opposite.
The opposite?
Yeah. In the case three years ago...
Take a look at this guy, for example.
One of the victims.
He was a Lower House member suspected of corruption.
He was also alleged to have submitted falsified reports of his Crime Coefficient, but he refused to have it re-measured.
When the media and the opposition parties questioned him,
he tried to dodge the questions with clichéd answers, like “I don't recall."
Then, he was found dead
with his skull cleanly cut open and his brain completely gouged out.
His hippocampus, the part of the brain that plays an important role in memory,
had been inserted into his anus.
Based on this and the way Sasayama was killed,
I'd say the culprit back then wanted the ways he killed and exhibited the bodies to convey some sort of message.
There were four victims.
The places their bodies were found were...
underneath a Holographic display,
a luxury Japanese-style restaurant,
a zoo, and right above a stage set up for an idol's concert.
But this time, both bodies were found in a park.
A much more boring setup.
Boring?
There's no twisted humor in these murders, no message.
They are beautiful and devilish, and look like works of art,
but something critical is missing.
What is this “something"?
Originality.
Originality, you say?
Despite the elaborate form of these murders,
the culprit isn't sending a strong message.
Or at least, I don't sense one.
To Touma Kouzaburou, murdering people was just about preparing materials.
Up to that point, the current case is the same.
But from then onward...
the ways they worked on the bodies are totally different.
I get a totally different picture of this culprit.
He's highly intelligent and is assigned to a job with a high income by Sibyl's Judgment.
But he's quite young,
or he's someone whose mental age is young.
Considering the bodies didn't show many indignities of a sexual nature,
we can guess that he wasn't abused as a child.
Is that...
It's sort of like profiling.
Inspector, I'm applying for permission to go out.
What? But I have to accompany you.
Right. I'm asking you to come with me.
Tokorozawa Correction and Rehabilitation Center
What is this place?
Is this your first time coming here?
Well, I guess you'd have no reason to, would you?
Once you or Gino decides that I'm no longer of any use,
I'll be thrown in here and will never be able to leave again.
But what on Earth are we doing here?
If my hunch is correct,
the way the bodies were arranged in the current case was based on some original work.
So I'll ask an expert in that field about it.
From this point, patients with severe conditions who have Crime Coefficients over 300 are kept isolated.
In an emergency, poisonous gas can be released through the vents.
In other words, this place can be turned into an execution chamber any time.
That's terrible...
Even if these guys made it outside,
any Dominator would immediately judge them as worthy of execution,
so they'd be mincemeat in no time.
At least by staying behind bars, they get to keep on living.
Oh, hi, Doggie. Long time no see.
I see you've been drawing a lot.
I bet adding them to your back is tough even for you.
I may not look it, but I'm quite flexible.
If I've got a mirror, I can draw on my back with no problems.
Have you been watching the news?
I'm not interested in a world that doesn't show a proper appreciation for art.
I'm looking for artwork that's similar to these bodies.
Paintings, sculptures, films, comics... Even literature, if need be.
Oh, they're pretty good.
Those look just like Ouryou Rouichi's art.
Do you know the name?
No.
To think that even the name Ouryou Rouichi has faded away.
Back in the day, even if the art was designated as harmful,
someone would still preserve it in the online archives.
Are there no longer any kids with guts like that?
People like that would be behind bars with you,
thanks to the Sibyl System.
You're so cold-hearted, Kou.
Here. Can you see the resemblance?
His artwork always fetched a good price in my store.
That's because it wasn't just superficial, trendy art.
His work contained firm fundamental themes.
Thanks, that was a big help.
Let's check the investigation files.
Does Ouryou Rouichi bring up anything?
Let's see...
There's a student at Ousou Academy with the same surname.
Kougami! She's a blood relative!
Have you seen any suspicious people?
No.
I see... Then...
K-Kou!
Ah...
That idiot!
Please wait! There's a suspect among the students!
Huh?
Hey! What do you think you're doing?!
We repeatedly requested your tact and consideration during the investigation
so as to avoid placing unnecessary stress upon the students!
You are Ouryou Rikako, correct?
What of it?
Crime Coefficient is 472.
Enforcement mode is Lethal Eliminator.
Aim carefully and eliminate the target.
What're you doing?!
Stop it!
A-Are you guys insane?! She's a minor!
Well, sir... we don't have juvenile law these days.
That was close.
Thanks. Did Mr. Makishima also arrange this?
Yes.
Seal off the entire academy right away!
Use all the drones we've got!
We don't have enough? Do something!
That's... Kagami...
How is it possible that we can't find one single girl?!
The security here is very tight at the entrances and exits,
but there's a whole lot of blind spots inside the grounds.
Can you analyze the footage from the security cameras over the past few days to isolate Ouryou Rikako?
With help from the lab back at Headquarters, yes.
A basic image search like that shouldn't take too long.
Do it.
You mentioned the name Ouryou Rouichi, correct?
How did you find out such an artist existed?
Originality, right, Kougami?
What?
Well, that's because... the message the culprit was sending was too boring, so... by profiling, um...
Kougami.
Did you know that these two murders were not by Touma Kouzaburou from the start?
The culprit this time decided where to exhibit the bodies
based solely on where it would draw the most attention.
Touma Kouzaburou would never pick a park twice in a row.
Even so, we still can't say for sure that it was all done by Ouryou Rikako.
Either way,
we can't let someone with a Crime Coefficient like that run free.
Right?
Image search completed.
I'll browse through them.
Oh... Looks like she's a sociable girl.
She always has a few followers by her side.
Where's this camera?
The garbage disposal facility behind the dorm.
What was she doing in a place like that?
Kougami.
Did you know that these two murders were not by Touma Kouzaburou from the start?
The culprit this time decided where to exhibit the bodies
based solely on where it would draw the most attention.
Mr. Shibata, do you like music?
Yes. I'm always looking for new artists.
I really enjoy finding interesting new talent.
V-Vice Principal!
Student bodies have been found on Academy grounds!
What?!
So you were close to her, huh?
You can tell?
Yeah, from the look on your face.
I failed to tell her something important.
She kept talking about Yoshika...
She wasn't thinking about me at all.
I was the one who suggested she ask Ouryou Rikako.
I shouldn't have let her go alone!
It's as if I killed her myself!
Cry while you can.
Otherwise, your Hue will get cloudy.
There are too many things that can't be explained.
Ouryou Rikako's escape route,
that equipment in the basement...
No matter how you look at it, there's no way a high school girl could prepare those by herself.
There's something going on behind the scenes this time, too.
It's possible that, like you said—
This is odd.
What's the matter?
There's some damaged data.
When Kunizuka did the search earlier, all the recordings were fine.
Looks like the damage was focused on the art room camera's data.
It's all been destroyed.
Except this one. Looks like we can restore the sound.
Why did you only choose students within this school for your works of art?
The academy is a girls' boarding school.
What do you think of their education policy, Mr. Makishima?
Is this really the correct route?
Choe Gu-Sung?
Just in case, I'd like to ask you a question before this is all over.
Ouryou Rikako...
Do you yourself realize how you came to disappoint me?
What are you talking about?
What did I do?
Well... If you don't realize it, then I guess you can't reflect on it either.
As I suspected, it seems that I can't expect any more growth from you.
It's unfortunate. I saw great promise in you at first.
Sir... Mr. Makishima!
What on Earth do you mean?
I believe this is a line by Tamora, the Queen of Goths.
“So should I rob my sweet sons of their fee:
No, let them satisfy their lust on thee."
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Wh-What's going on?
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“The hunt is up, the morn is bright and grey,
The fields are fragrant and the woods are green:
Uncouple here and let us make a bay."
“They told me, here, at dead time of the night,
A thousand fiends, a thousand hissing snakes,
Ten thousand swelling toads, as many urchins,
Would make such fearful and confused cries."
“Listen, fair madam: let it be your glory
To see her tears; but be your heart to them
As unrelenting flint to drops of rain."
Ouryou Rouichi
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“So, now go tell, an if thy tongue can speak,
Who 'twas that cut thy tongue and ravish'd thee."
“Write down thy mind, bewray thy meaning so,
An if thy stumps will let thee play the scribe."
You too will be discarded one day when Mr. Makishima gets bored of you.
You don't have to worry about that.
It seems that you were a fox cub providing entertainment,
but just like him, I'm one of the players who enjoy the entertainment.
“Her life was beast-like, and devoid of pity;
And, being so, shall have like want of pity."
Was that okay? You really liked her, right?
Yeah... but I found a more interesting toy.
I'd like you to gather some information.
Look into the man from the Bureau who visited this afternoon.
He's probably an Enforcer.
It seems his name is Kougami.
That's quite an unusual guy you've set your sights on.
Yeah.
His insight and ability to grasp the truth is most fascinating.
I get the feeling he'll be very entertaining indeed.
Fearii teeru wa
It seems all fairy tales
Fearii teeru wa
It seems all fairy tales
Fearii teeru wa
It seems all fairy tales
Fearii teeru wa
It seems all fairy tales
Sakki shinda mitai
Are dead
Sakki shinda mitai
Are dead
Sakki shinda mitai
Are dead
Sakki shinda mitai
Are dead
Renga no byoutou de
In a hospital ward of brick stones
Renga no byoutou de
In a hospital ward of brick stones
Renga no byoutou de
In a hospital ward of brick stones
Renga no byoutou de
In a hospital ward of brick stones
Umaku utaenakute
My voice is too coarse to sing
Umaku utaenakute
My voice is too coarse to sing
Umaku utaenakute
My voice is too coarse to sing
Umaku utaenakute
My voice is too coarse to sing
Kiri ni kemuru yoru
Outside in the foggy haze
Kiri ni kemuru yoru
Outside in the foggy haze
Kiri ni kemuru yoru
Outside in the foggy haze
Kiri ni kemuru yoru
Outside in the foggy haze
Ukabe akai tsuki
A red moon glows
Ukabe akai tsuki
A red moon glows
Ukabe akai tsuki
A red moon glows
Ukabe akai tsuki
A red moon glows
Hora mite watashi wo
Look at me
Hora mite watashi wo
Look at me
Hora mite watashi wo
Look at me
Hora mite watashi wo
Look at me
Me wo sorasanai de
Do not avert your gaze
Me wo sorasanai de
Do not avert your gaze
Me wo sorasanai de
Do not avert your gaze
Me wo sorasanai de
Do not avert your gaze
Kuroi tetsu goushi no naka de
Behind black bars
Kuroi tetsu goushi no naka de
Behind black bars
Kuroi tetsu goushi no naka de
Behind black bars
Watashi wa umarete kitanda
I was born
Kuroi tetsu goushi no naka de
Behind black bars
Watashi wa umarete kitanda
I was born
Watashi wa umarete kitanda
I was born
Akui no daishou wo negae
I wish there were a punishment for evil
Watashi wa umarete kitanda
I was born
Akui no daishou wo negae
I wish there were a punishment for evil
Akui no daishou wo negae
I wish there were a punishment for evil
Nozomu ga mama ni omae ni
Always I need you
Akui no daishou wo negae
I wish there were a punishment for evil
Nozomu ga mama ni omae ni
Always I need you
Nozomu ga mama ni omae ni
Always I need you
Saa ataeyou seigi wo
Now, grant us justice
Nozomu ga mama ni omae ni
Always I need you
Saa ataeyou seigi wo
Now, grant us justice
Saa ataeyou seigi wo
Now, grant us justice
Kowashite kowasareru mae ni
Before chaos takes us all
Saa ataeyou seigi wo
Now, grant us justice
Kowashite kowasareru mae ni
Before chaos takes us all
Kowashite kowasareru mae ni
Before chaos takes us all
Inga no daishou wo harai mukui yo na mo
Pay the price for karma and take retribution,
Kowashite kowasareru mae ni
Before chaos takes us all
Inga no daishou wo harai mukui yo na mo
Pay the price for karma and take retribution,
Inga no daishou wo harai mukui yo na mo
Pay the price for karma and take retribution,
Naki kaibutsu
Nameless beasts
Inga no daishou wo harai mukui yo na mo
Pay the price for karma and take retribution,
Naki kaibutsu
Nameless beasts
Naki kaibutsu
Nameless beasts
Naki kaibutsu
Nameless beasts
Kuroi ame furase kono sora
Let the black rain fall from this sky
Kuroi ame furase kono sora
Let the black rain fall from this sky
Kuroi ame furase kono sora
Let the black rain fall from this sky
Watashi wa nozomarenai mono
Because I’m undesired
Kuroi ame furase kono sora
Let the black rain fall from this sky
Watashi wa nozomarenai mono
Because I’m undesired
Watashi wa nozomarenai mono
Because I’m undesired
Hibi wareta noirooze
I cracked into a nervous breakdown
Watashi wa nozomarenai mono
Because I’m undesired
Hibi wareta noirooze
I cracked into a nervous breakdown
Hibi wareta noirooze
I cracked into a nervous breakdown
Ai su douzai no boukansha tachi ni
To beloved bystanders with the same guilt
Hibi wareta noirooze
I cracked into a nervous breakdown
Ai su douzai no boukansha tachi ni
To beloved bystanders with the same guilt
Ai su douzai no boukansha tachi ni
To beloved bystanders with the same guilt
Saa ima furue seigi wo
Now, excercise that justice
Ai su douzai no boukansha tachi ni
To beloved bystanders with the same guilt
Saa ima furue seigi wo
Now, excercise that justice
Saa ima furue seigi wo
Now, excercise that justice
Kesenai kizu wo dakishimete
Embracing my unerasable scars
Saa ima furue seigi wo
Now, excercise that justice
Kesenai kizu wo dakishimete
Embracing my unerasable scars
Kesenai kizu wo dakishimete
Embracing my unerasable scars
Kono karada wo uke ire tomo ni yukou
I’ll accept my body and go together with you,
Kesenai kizu wo dakishimete
Embracing my unerasable scars
Kono karada wo uke ire tomo ni yukou
I’ll accept my body and go together with you,
Kono karada wo uke ire tomo ni yukou
I’ll accept my body and go together with you,
Namae no nai kaibutsu
Nameless beasts
Kono karada wo uke ire tomo ni yukou
I’ll accept my body and go together with you,
Namae no nai kaibutsu
Nameless beasts
Namae no nai kaibutsu
Nameless beasts
Namae no nai kaibutsu
Nameless beasts
This is a world where the mental state and personal tendencies of humans can be quantified. While all sorts of inclinations are recorded and policed, these measured numbers used to judge people's souls are commonly called “Psycho-Pass”.
This story is a work of fiction. The names of all individuals and organizations that appear in this show are fictitious and any similarity to those in existence in the real world is purely coincidental.